Showing posts with label illustrations. Show all posts
Showing posts with label illustrations. Show all posts

Monday, April 24, 2023

THE almost COMPLETE WORKS OF SHAKESPEARE ... LINKS TO TEXTS ... WITH SOME ART AND ILLUSTRATIONS ... MAYBE SOME BOOK COVERS ... AND MAYBE SOME MOVIE STILLS AND POSTERS


ILLUSTRATIONS OF SHAKESPEARE’S PLAYS AND VERSES

Incomplete List of the “Works”

it is as well to remember that very little of what we read was published during Shakespeare's lifetime ... and much of what we read has been heavily edited ... questions and disputes will probably continue until the end of time ...

Publishing Shakespeare | Folger Shakespeare Library

Shakespeare bibliography - Wikipedia

https://www.youtube.com/watch?v=01Ytsmn4gv4&list=WL&index=3&t=146s


Shakespeare bibliography

From Wikipedia, the free encyclopedia

William Shakespeare (1564–1616)[1] was an English poet and playwright. He wrote approximately 39 plays and 154 sonnets, as well as a variety of other poems.[note 1]

Plays and work[edit]

Tragedies[edit]

Main article: Shakespearean tragedy

Shakespeare's plays

Title

Year written

First publications

Performances

Authorship notes

Antony and Cleopatra

1601–1608

First published in the First Folio

Believed to have been performed between 1606 and 1608.

Summary

In a setting soon after Julius CaesarMarc Antony is in love with Cleopatra, an Egyptian queen. What used to be a friendship between Emperor Octavius and Antony develops into a hatred as Antony rejects the Emperor's sister, his wife, in favour of Cleopatra. Antony attempts to take the throne from Octavius and fails, while Cleopatra commits suicide.

Coriolanus

1605–1608 (believed)

First published in the First Folio

No recorded performances prior to the Restoration; the first recorded performance involved Nahum Tate's bloody 1682 adaptation at Drury Lane.

Summary

The Roman military leader Caius Martius, after leading Rome to several victories against the Volscians, returns home as a war hero with a new last name, Coriolanus, given for the city of Corioles which he conquered. However, after an attempt at political office turns sour, he is banished from Rome as a traitor. Hungry for revenge, Coriolanus becomes leader of the Volscian army and marches to the gates of Rome. His mother, his wife, and his son, however, beg him to stop his attack. He agrees and makes peace between Romans and Volscians, but is assassinated by enemy Volscians.

Hamlet

Likely early 17th century

First published in the so-called "bad" First Quarto, 1603

Earliest recorded performance of Hamlet was in June 1602, with Richard Burbage in the title role.

Some scholars, such as Peter Alexander and Eric Sams, believe that the oft-attributed source work known as the Ur-Hamlet was actually a first draft of the play, written by Shakespeare himself sometime prior to 1589.[2]

Summary

Prince Hamlet is visited by his father's ghost and ordered to avenge his father's murder by killing King Claudius, his uncle. After struggling with several questions, including whether what the ghost said is true and whether it is right for him to take revenge, Hamlet, along with almost all the other major characters, is killed.

Julius Caesar

1599[3]

First published in the First Folio

Thomas Platter, a Swiss traveller, saw a tragedy about Julius Caesar at a Bankside theatre on 21 September 1599. This was most likely Shakespeare's play. There is no immediately obvious alternative candidate. (While the story of Julius Caesar was dramatised repeatedly in the Elizabethan/Jacobean period, none of the other plays known are as good a match with Platter's description as Shakespeare's play.)[4]

Summary

Cassius persuades his friend Brutus to join a conspiracy to kill Julius Caesar, whose power seems to be growing too great for Rome's good. After killing Caesar, however, Brutus fails to convince the people that his cause was just. He and Cassius eventually commit suicide as their hope for Rome becomes a lost cause.

King Lear

1603–1606[5][6]

Published in quarto in 1608[7]

First recorded performance: 26 December 1606, before King James I at the Whitehall Palace.[7]

Summary

An aged king divides his kingdom between two of his daughters, Regan and Goneril, and casts the youngest, Cordelia, out of his Kingdom for disloyalty. Eventually he comes to understand that it is Regan and Goneril who are disloyal, but he has already given them the kingdom. He wanders the countryside as a poor man until Cordelia comes with her husband, the King of France, to reclaim her father's lands. Regan and Goneril are defeated, but only after Cordelia has been captured and murdered. King Lear then dies of grief.

Macbeth

1603–1606[8]

First published in the First Folio

There are "fairly clear allusions to the play in 1607."[9] The earliest account of a performance of the play is April 1611, when Simon Forman recorded seeing it at the Globe Theatre.[10]

The text of Macbeth which survives has plainly been altered by later hands. Most notable is the inclusion of two songs from Thomas Middleton's play The Witch (1615)[11]

Summary

Macbeth, a Scottish noble, is urged by his wife to kill King Duncan to take the throne for himself. He covers the king's guards in blood to frame them for the deed, and is appointed King of Scotland. However, people suspect his sudden power, and he finds it necessary to commit more and more murders to maintain power, believing himself invincible so long as he is bloody. Finally, the old king's son Malcolm besieges Macbeth's castle, and Macduff slays Macbeth in armed combat.

Othello

1602–1604[12] (c. 1603)

First published in 1622 in quarto format by Thomas Walkley. Included in the First Folio the following year.

Probably first performed for King James I at the Whitehall Palace on 1 November 1604.[12]

Summary

Othello, a Moor and military general living in Venice, elopes with Desdemona, the daughter of a senator. Later, on Cyprus, he is persuaded by his servant Iago that his wife (Desdemona) is having an affair with Michael Cassio, his lieutenant. Iago's story, however, is a lie. Desdemona and Cassio try to convince Othello of their honesty but are rejected. Pursuing a plan suggested by Iago, Othello sends assassins to attack Cassio, who is wounded, while Othello himself smothers Desdomona in her bed. Iago's plot is revealed too late, and Othello commits suicide.

Romeo and Juliet

1595–1596, with a possible early draft written in 1591[13][14]

First published in 1597 in Q1[15]

First performed sometime between 1591 and March 1597[16]

Summary

In Verona, Italy, two families, the Montagues and the Capulets, are in the midst of a bloody feud. Romeo, a Montague, and Juliet, a Capulet, fall in love and struggle to maintain their relationship in the face of familial hatred. After Romeo kills Juliet's cousin Tybalt in a fit of passion, things fall apart. Both lovers eventually commit suicide within minutes of each other, and the feuding families make peace over their recent grief.

Timon of Athens

c. 1607[17]

First published in the First Folio[18]

No recorded performances during Shakespeare's lifetime.[17] An adaptation was staged by Thomas Shadwell in 1678.[18]

Brian Vickers and others argue that Timon of Athens was co-written with Thomas Middleton, though some commentators disagree.[19]

Summary

Timon of Athens is an apparently wealthy man in his community who freely gives of his abundance to those around him. Eventually, it becomes apparent that he is living on credit, when all of his creditors ask for payment on the same day. Timon asks for his friends to help, but is refused. Angry at mankind's double nature, he leaves the city for the wilderness, and lives in a cave. Despite the efforts of several men to cheer his spirits, he dies full of hatred for humanity.

Titus Andronicus

Probably late 1593[20]

First published in quarto in 1594; the second quarto was published in 1600, the third in 1611.[20]

First recorded performance: 24 January 1594 at the Rose; repeat performances on 29 January and 4 February. The play was performed by the Admiral's Men and the Lord Chamberlain's Men later that same year in June 1594 at Newington Butts. There was another performance, probably also by the Lord Chamberlain's Men, on 1 January 1596, in Sir John Harington's household at Burley-on-the-Hill in Rutland.[20]

Brian Vickers argues that Titus Andronicus was co-written with George Peele.[21]

Summary

Roman war hero Titus Andronicus returns victorious in his wars against the Goths. He kills one of the sons of the Queens of the Goths in a revenge ritual, despite her pleadings. When the queen becomes the Empress of Rome, she takes revenge on the house of Andronici for her son's blood. She has her sons rape and mutilate Titus' daughter, Lavinia, over her husband's murdered corpse, then frames Titus' own sons for the murder. Lavinia, however, manages to communicate to her father who the true murderers were, and Andronicus takes revenge, killing the queen and her two sons, but being killed in the act.


Troilus and Cressida

1602 (believed)

1609: two separate editions in quarto

The dates of the play's earliest performances are uncertain due to contradictions in the editions published in 1609.

Summary

The Trojans are under siege by the Grecian army of AgamemnonTroilus, a Trojan, falls in love with Cressida, a Greek captive. When Cressida is given back to the Greeks as part of a prisoner exchange, Troilus fears that she will fall in love with one of them. His fears prove to be true when he crosses enemy lines during a truce and sees her and a Greek man together.



Comedies[edit]

Main article: Shakespearean comedy

Shakespeare's plays

Title

Year written

First publications

Performances

Authorship notes

All's Well That Ends Well

1601–1608

First published in the First Folio

Believed to have been performed between 1606 and 1608.

No recorded performances before The Restoration. The earliest recorded performance was in 1741 at Goodman's Fields, with another the following year at Drury Lane.

Summary

Helena, a ward of the Countess of Rousillion, falls in love with the Countess's son, Bertram. Daughter of a famous doctor, and a skilled physician in her own right, Helena cures the King of France—who feared he was dying—and he grants her Bertram's hand as a reward. Bertram, however, offended by the inequality of the marriage, sets off for war, swearing he will not live with his wife until she can present him with a son, and with his own ring—two tasks which he believes impossible. However, with the aid of a bed trick, Helena fulfils his tasks, Bertram realises the error of his ways, and they are reconciled.

As You Like It

1599–1600

First published in the First Folio

No recorded performances prior to the Restoration; the first recorded performance involved Nahum Tate's bloody 1682 adaptation at Drury Lane.

No recorded performances before The Restoration, though there was a possible performance at Wilton House in Wiltshire; the King's Men were paid £30 to come to Wilton House and perform for the King and Court (remaining there due to an outburst of the bubonic plague) on 2 December 1603. A Herbert family tradition states the play was As You Like It.[22] The King's Company was assigned the play by royal warrant in 1669, and it was acted at Drury Lane in 1723 in an adapted form called Love in a Forest.[23]

Summary

It's a dramatic comedy, known for its confusing yet tantalising storyline that intrigues yet is one of the hardest by Shakespeare to understand. Like most others of its genre and age, it relies heavily on mistaken identity and desperate romance to induce humour between the artful weaving of the 16th century language.

The Comedy of Errors

1592–1594

First published in the First Folio

The first recorded performance was by "a company of base and common fellows," mentioned in the Gesta Grayorum ("The Deeds of Gray") as having occurred in Gray's Inn Hall on 28 Dec 1594. The second also took place on "Innocents' Day" but ten years later—in 1604, at Court.[note 2]

Summary

Egeon, about to be executed for unlawfully entering Ephesus, tells the sad tale of his search for his twin sons and wife. The Duke agrees to spare him if his family is found. Meanwhile, his twin sons, both of whom are named Antipholus, and their servants, both of whom are named Dromio, are actually in Ephesus, each unaware that he even has a twin. After a series of hilarious events involving mistaken identity almost ending in catastrophe, the twins are reunited with their mother and father, and realise their relation to each other.

Cymbeline

This play is hard to date, though a relationship with a tragicomedy that Beaumont and Fletcher wrote c. 1609–10 tends to support this dating around 1609; though it is not clear which play preceded the other.[24]

First published in the First Folio

Only one early performance is recorded with certainty,[note 3] which occurred on Wednesday night of 1 Jan 1634, at Court.

Possible collaboration[note 4]

Summary

The princess Imogen loves the commoner Posthumus, and marries him, but her father, King Cymbeline, disapproves of the match and exiles Posthumus. In exile, he meets the rogue Jachimo—who, to win a wager, persuades Posthumus, wrongly, that he (Jachimo) has slept with Imogen. Enraged, Posthumus orders a servant, Pisanio, to murder Imogen, but he cannot go through with his orders, and instead she finds herself befriended by the wild-living Polydore and Cadwal—who turn out to be her own brothers: Cymbeline's princes who had been stolen from his palace in their infancy. The repentant Posthumus fights alongside Polydore and Cadwal in a battle against the Romans, and following the intervention of the god Jupiter, the various truths are revealed, and everyone is reconciled.

Love's Labour's Lost

Summary

Measure for Measure

Summary

The Merchant of Venice

Summary

Antonio borrows money from Shylock, a Jewish moneylender, to lend money to his friend Bassanio. Bassanio uses the money to successfully woo Portia, a wealthy and intelligent woman with a large inheritance. Unfortunately, a tragic accident leaves Antonio unable to repay his debt to Shylock, and he must be punished as agreed by giving a pound of his flesh to the moneylender. Portia travels in disguise to the court and saves Antonio by pointing out that Shylock may only take flesh, and not any blood. Shylock is foiled, Portia reveals her identity, and Antonio's wealth is restored.

The Merry Wives of Windsor

Summary

A Midsummer Night's Dream

Approximately 1595

Registered in the 1600 quarto by Thomas Fisher on 8 October 1600[25]

The title page assures it was "sundry times publicly acted by the Right Honorable the Lord Chamberlain and his Servants" prior to its 1600 publication.

Summary

In Athens, Hermia is in love with Lysander, defying her father's command to marry Demetrius; the couple flee to the woods to avoid the law sentencing her to death or a nunnery. Demetrius pursues them, and is in turn pursued by Helena, who is in unrequited love with him. Meanwhile, a group of low-class workers decides to stage a play for the wedding of the King and Queen of Athens; they rehearse in the woods. Fairy king Oberon is quarrelling with his queen Titania; he magically causes her to fall in love with one of the actors, Bottom, whom he has transformed to have the head of an ass. He also attempts to resolve the Athenian youths' love triangle, but his servant Puck accidentally causes both Lysander and Demetrius to fall in love with Helena instead of Hermia. In the end, Oberon has Puck restore Lysander to loving Hermia, allows Demetrius to stay in love with Helena, and returns Titania to her senses and Bottom to his shape. They return to Athens, where Lysander and Hermia are pardoned and they all watch the workers (badly) perform their play.

Much Ado About Nothing

Summary

In Messina, Italy, a young prince named Don Pedro arrives from Aragon to visit a friend of his, Leonato. With him he brings a Florentine named Claudio, a soldier named Benedick, and his bastard brother, Don Jon. Upon their arrival, Claudio falls in love with Leonato's daughter, Hero and wishes to marry her. Don Jon, out of desire to cause mischief, interferes once unsuccessfully and once successfully in thwarting the gullible Claudio into thinking that Hero and that Claudio's friends are disloyal. Arguably, the leading couple of the play are the soldier Benedick, and Hero's cousin, Beatrice, who, at the beginning of the play, seem to detest each other, until Don Pedro persuades everyone that they can make Benedick and Beatrice fall in love with one another.

Pericles, Prince of Tyre

Either 1607–1608, or written at an earlier date and revised at that time[26]

1609 quarto[26]

The Venetian ambassador to England, Zorzi Giustinian, saw a play titled Pericles during his time in London, which ran from 5 Jan 1606 to 23 Nov 1608. As far as is known, there was no other play with the same title that was acted in this era; the logical assumption is that this must have been Shakespeare's play.[27]

Shakespeare is thought to be responsible for the main portion of the play after scene 9.[28][29][30][31] The first two acts were likely written by a relatively untalented reviser or collaborator, possibly George Wilkins.[32]

Summary

This episodic story, covering many years, charts the history of Pericles, who believes he has lost both his daughter and his wife, but is ultimately reunited with both. His daughter Marina, sold into prostitution, proves to be a paragon of virtue; and his wife Thaisa, recovered by a skilled doctor having been buried at sea, becomes a priestess of the goddess Diana.

The Taming of the Shrew

Summary

The play begins with a framing device, often referred to as the Induction, in which a drunken tinker named Sly is tricked into thinking he is a nobleman by a mischievous Lord. The Lord has a play performed for Sly's amusement, set in Padua with a primary and sub-plot.

The main plot depicts the courtship of Petruchio, a gentleman of Verona, and Katherina, the headstrong, obdurate shrew. Initially, Katherina is an unwilling participant in the relationship, but Petruchio tempers her with various psychological torments—the "taming"—until she is an obedient bride. The sub-plot features a competition between the suitors of Katherina's more tractable sister, Bianca.

The Tempest

Summary

Prospero, overthrown and exiled Duke of Milan, lives on a small island with his daughter Miranda. By chance, his usurping brother Antonio, along with Alonso, King of Naples (who helped him) and his retinue, have passed near the island on a ship; Prospero, aided by his fairy servant Ariel, has magically called up a tempest to shipwreck them. Prospero toys with them but ultimately forgives Alonso (who has been betrayed in turn by Antonio) and permits Alonso's son Ferdinand to marry Miranda. Before returning to reclaim his throne, Prospero renounces magic.

Twelfth Night

1600–1601[33]

First Folio

Earliest known performance 2 February 1602[34]

Summary

Viola finds herself shipwrecked in Illyria and, assuming that her brother Sebastian has died in the wreck, disguises herself as a man to gain a position in Duke Orsino's court. Orsino sends Viola (whom he knows as Cesario) to deliver a message to his love, Olivia. Olivia, however, dislikes the Duke. She falls in love with Viola, who she thinks is a man. Eventually, Viola's brother Sebastian, who in fact was unharmed in the wreck, reappears. At a critical moment, Viola's true identity is revealed when members of the court notice the similarities between her and Sebastian. Olivia quickly falls in love with Sebastian, and Viola confesses her love for the Duke.

The Two Gentlemen of Verona

Summary

Two close friends, Proteus and Valentine, are divided when Valentine is sent to the Duke's court in Milan. Proteus later follows, leaving behind his loyal beloved, Julia, and he and Valentine both fall in love with the Duke's daughter, Silvia. Valentine proves himself brave and honourable, while Proteus is underhanded and deceitful—and eventually attempts to rape Silvia. Julia follows her betrothed to Milan, disguised as a boy, Sebastian, who becomes Proteus' page. Eventually Proteus sees the error of his ways and returns to Julia, while Valentine marries Silvia.

The Two Noble Kinsmen

1613–1614[35]

Published as a quarto in 1635[35]

Thought to be a collaboration with John Fletcher. Shakespeare is thought to have written the following parts of this play: Act I, scenes 1–3; Act II, scene 1; Act III, scene 1; Act V, scene 1, lines 34–173, and scenes 3 and 4.[36]

Summary

Two close friends, Palamon and Arcite, are divided by their love of the same woman: Duke Theseus' sister-in-law Emelia. They are eventually forced to compete publicly for her hand, but once the bout is over, the victor dies tragically and the other marries their love.

The Winter's Tale

Estimates vary widely, from 1594–1611[37]

First published in the First Folio.

Summary

In Sicilia, King Leontes becomes convinced that his wife, Hermione, is having an affair with his friend Polixenes, King of Bohemia. He has her imprisoned and sends delegates to ask an oracle if his suspicions are true. While in prison, Hermione gives birth to a girl and Leontes has it sent to Bohemia to be placed alone in the wild. When the delegates return and state that the oracle has exonerated Hermione, Leontes remains stubborn and his wife and son die. Sixteen years later, a repentant Leontes is reunited with his daughter, who is in love with the Prince of Bohemia. His wife is also later reunited with him by extraordinary means.


Histories[edit]

Main article: Shakespearean history

Shakespeare's plays

Title

Year written

First publications

Performances

Authorship notes

Henry IV, Part 1

Likely early to mid 1590s

First published in a 1598 quarto by Andrew Wise

Though 1 Henry IV was almost certainly in performance by 1597, the earliest recorded performance was on 6 March 1600, when it was acted at Court before the Flemish Ambassador. Other Court performances followed in 1612 and 1625.

Henry IV, Part 2

1597–1599

First published in a quarto in 1600 by Valentine Simms

Philip Henslowe's diary records a performance of a Henry VI on 3 March 1592, by the Lord Strange's MenThomas Nashe refers in 1592 to a popular play about Lord Talbot, seen by "ten thousand spectators at least" at separate times.[38][note 5]

Henry V

1599

Published in a "bad quarto"[note 6] in 1600 by Thomas Millington and John Busby; reprinted in "bad" form in 1603 and 1619, it was published fully for the first time in the First Folio.

A tradition, impossible to verify, holds that Henry V was the first play performed at the new Globe Theatre in the spring of 1599; the Globe would have been the "wooden O" mentioned in the Prologue. In 1600 the first printed text states that the play had been performed "sundry times", though the first recorded performance was on 7 January 1605, at Court.

Henry VI, Part 1

1588–1592

First published in the First Folio

Philip Henslowe's diary records a performance of a Henry VI on 3 March 1592, by the Lord Strange's MenThomas Nashe refers in 1592 to a popular play about Lord Talbot, seen by "ten thousand spectators at least" at separate times.[38]

There is stylistic evidence that Part 1 is not by Shakespeare alone, but co-written by a team with three or more unknown playwrights (though Thomas Nashe is a possibility[39]).

Henry VI, Part 2

1590–1591

A version was published in 1594, and again in 1600 (Q2) and 1619 (Q3); the last as part of William Jaggrd's False Folio.

See notes for Henry VI, Part I above. Parts I and III of Henry VI are known to have been playing in 1592, and it is assumed (but not reliably known) part 2 was presented at the same times.

Henry VI, Part 3

1590–1591

A version was published in 1594, and again in 1600 (Q2) and 1619 (Q3); the last as part of William Jaggrd's False Folio.

Performed before 1592, when Robert Greene parodied one of the play's lines in his pamphlet A Groatsworth of Wit. See notes for Part II and I above.

Henry VIII

A fire destroyed the Globe Theatre during a performance of this play on 29 June 1613, as recorded in several contemporary documents.[40] While some modern scholars believe the play was relatively new (one contemporary report states that it "had been acted not passing 2 or 3 times before").[41]

Thought to be a collaboration between Shakespeare and John Fletcher, due to the style of the verse. Shakespeare is thought to have written Act I, scenes i and ii; II, ii and iv; III, ii, lines 1–203 (to exit of King); V, i.

King John

1595–1598[42]

First known performance at Covent Garden Theatre on 26 February 1737 but doubtlessly performed as early as the 1590s.

Richard II

Richard III

Around 1593.[43]

First published in a quarto in 1597.

Edward III

1592 or 1593

Cuthbert Burby, quarto editions in 1596 and 1599.

Generally considered a collaboration with either Thomas Kyd or Christopher Marlowe, but there is still no agreement upon the collaborators.

Selected poems[edit]

Shakespeare's poems

Title

Year written

First publications

Authorship notes

Venus and Adonis

1593[44]

1593

The Rape of Lucrece

1594[44]

1594

The Passionate Pilgrim

1598 or 1599

An anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean.

The Phoenix and the Turtle

1601

A Lover's Complaint

1609

Shakespeare's Sonnets

1609



  

 Shakespeare in Art – The Public Domain Review


ANTONY AND CLEOPATRA















Tiepolo murals at the Palazzo labia

Web Gallery of Art, searchable fine arts image database (wga.hu)



https://www.metmuseum.org/art/collection/search/814858




 Antony and Cleopatra - Wikipedia

Antony and Cleopatra (complete text) :|: Open Source Shakespeare

 Antony and Cleopatra - Act 1, scene 1 | Folger Shakespeare Library



CORIOLANUS









Coriolanus - Wikipedia

Coriolanus | Folger Shakespeare Library



HAMLET







Hamlet - Wikipedia

Hamlet | Folger Shakespeare Library

Hamlet, the melancholic Prince of Denmark | Wellcome Collection

https://www.naturalhistorymag.com/picks-from-the-past/12476/shakespeare-in-the-bush



JULIUS CAESAR







Julius Caesar (play) - Wikipedia

Julius Caesar | Folger Shakespeare Library

Julius Caesar - Wikipedia


KING LEAR











King Lear - Wikipedia

King Lear | Folger Shakespeare Library

King Lear: madness, the fool and poor Tom | The British Library (bl.uk)



MACBETH


‘Lady Macbeth Seizing the Daggers‘, Henry Fuseli, ?exhibited 1812 | Tate










Macbeth - Wikipedia

Macbeth | Folger Shakespeare Library

https://www.tate.org.uk/art/artworks/blake-pity-n05062


OTHELLO







Othello - Wikipedia

Othello | Folger Shakespeare Library

Paintings of William Shakespeare’s Plays 9: Othello – The Eclectic Light Company

Critical approaches to Othello | The British Library (bl.uk)



ROMEO AND JULIET










Romeo and Juliet - Wikipedia

Romeo and Juliet | Folger Shakespeare Library



TIMON OF ATHENS










Timon of Athens - Wikipedia

Timon of Athens | Folger Shakespeare Library



TITUS ANDRONICUS







Titus Andronicus - Wikipedia

Titus Andronicus | Folger Shakespeare Library



TROILUS AND CRESSIDA











Troilus and Cressida - Wikipedia

Troilus and Cressida | Folger Shakespeare Library




ALL'S WELL THAT ENDS WELL






All's Well That Ends Well - Wikipedia

All's Well That Ends Well | Folger Shakespeare Library

Bed trick - Wikipedia


an unusual perspective on this play ...

Humanities | Free Full-Text | Horses, Humans, and Domestic Bodily Knowledge in All’s Well That Ends Well (mdpi.com)




AS YOU LIKE IT








As You Like It - Wikipedia

As You Like It | Folger Shakespeare Library

and some general remarks on Shakespeare's "comedy" ...

An introduction to Shakespeare’s comedy | The British Library (bl.uk)



THE COMEDY OF ERRORS








a very clear audio production out of the mists of time ...


The Works of Shakespeare: The Comedy Of Errors : The Marlowe Dramatic Society And Professional Players : Free Download, Borrow, and Streaming : Internet Archive


The Comedy of Errors - Wikipedia

The Comedy of Errors | Folger Shakespeare Library



CYMBELINE








Cymbeline - Wikipedia

Cymbeline | Folger Shakespeare Library



LOVE'S LABOURS LOST







Love's Labour's Lost - Wikipedia

Love's Labor's Lost | Folger Shakespeare Library



MEASURE FOR MEASURE









Measure for Measure - Wikipedia

Measure for Measure | Folger Shakespeare Library


THE MERCHANT OF VENICE











The Merchant of Venice - Wikipedia

The Merchant of Venice | Folger Shakespeare Library




THE MERRY WIVES OF WINDSOR











The Merry Wives of Windsor - Wikipedia

The Merry Wives of Windsor | Folger Shakespeare Library



A MIDSUMMER NIGHT'S DREAM
















A Midsummer Night's Dream - Wikipedia

A Midsummer Night’s Dream | Folger Shakespeare Library

Shakespeare's comedy of A midsummer-night's dream : Shakespeare, William, 1564-1616 : Free Download, Borrow, and Streaming : Internet Archive



MUCH ADO ABOUT NOTHING












Much Ado About Nothing - Wikipedia

Much Ado About Nothing | Folger Shakespeare Library



PERICLES, PRINCE OF TYRE






Pericles, Prince of Tyre - Wikipedia

Pericles | Folger Shakespeare Library



THE TAMING OF THE SHREW







The Taming of the Shrew - Wikipedia

The Taming of the Shrew | Folger Shakespeare Library

Coercive and Controlling Behaviour in The Taming of the Shrew - BMJ Sexual & Reproductive Health blog



THE TEMPEST










The Tempest - Wikipedia

The Tempest | Folger Shakespeare Library

(75) Ralph Vaughan Williams - Full Fathom Five (1951) - YouTube



TWELFTH NIGHT










Twelfth Night - Wikipedia

Twelfth Night | Folger Shakespeare Library



THE TWO GENTLEMEN OF VERONA






The Two Gentlemen of Verona - Wikipedia

The Two Gentlemen of Verona | Folger Shakespeare Library



THE WINTER'S TALE











The Winter's Tale - Wikipedia

The Winter’s Tale | Folger Shakespeare Library




HENRY IV, Part 1









Henry IV, Part 1 - Wikipedia

Henry IV, Part 1 | Folger Shakespeare Library

Drama on 3 - Henry IV, Part 1 - BBC Sounds



HENRY IV, Part 2







Henry IV, Part 2 - Wikipedia

Henry IV, Part 2 | Folger Shakespeare Library



HENRY V










Henry V (play) - Wikipedia

Henry V | Folger Shakespeare Library

(160) Touch Her Soft Lips and Part (Piano) - Stewart Dudley - YouTube

(160) HENRY V - Laurence Olivier - 1944 - Remastered - 4K - YouTube

A baptism of fire, steel and stone: Henry V’s army and the siege of Harfleur - The National Archives blog



HENRY VI Part 1





Henry VI, Part 1 - Wikipedia

Henry VI, Part 1 | Folger Shakespeare Library



HENRY VI  Part 2






Henry VI, Part 2 - Wikipedia

Henry VI, Part 2 | Folger Shakespeare Library

Works Of Shakespeare Henry VI Part II : The Marlowe Dramatic Society And Professional Players : Free Download, Borrow, and Streaming : Internet Archive


HENRY VI Part 3





Henry VI, Part 3 - Wikipedia

Henry VI, Part 3 | Folger Shakespeare Library

Henry VI Part III : William Shakespeare : Free Download, Borrow, and Streaming : Internet Archive

Henry VI, Part 3 | The British Library (bl.uk)



RICHARD III









Richard III (play) - Wikipedia

Richard III | Folger Shakespeare Library



HENRY VIII







Henry VIII (play) - Wikipedia

Henry VIII | Folger Shakespeare Library



VENUS AND ADONIS





Venus and Adonis (Shakespeare poem) - Wikipedia

Venus and Adonis | Folger Shakespeare Library



THE RAPE OF LUCRECE





The Rape of Lucrece - Wikipedia

Lucrece | Folger Shakespeare Library



SHAKESPEARE'S SONNETS







Shakespeare's sonnets - Wikipedia

Shakespeare's Sonnets | Folger Shakespeare Library