Tuesday, November 10, 2026

The Penance of Saint John Chrysostom ... an improbable fantasy


































The Penance of Saint John Chrysostom is a popular late-medieval and Renaissance legend and artistic motif—most famously depicted in engravings by Albrecht Dürer (ca. 1496), Lucas Cranach the Elder, and Giulio Campagnola. [1, 2, 3, 4]
The Legend
The story is entirely apocryphal and has no basis in the actual historical biography of Saint John Chrysostom (c. 347–407), the real-world Bishop of Constantinople and Father of the Church. According to the folk tale: [1, 2]
  • The Shelter: While living as an ascetic hermit in the wilderness, John gives shelter to the daughter of an emperor who lost her way during a storm (or while picking flowers). [1, 2]
  • The Fall: Overcome by temptation and lust, the hermit breaks his vow of chastity. Terrified of the crime and his sin, he pushes the princess off a cliff, believing her dead. [1, 2, 3]
  • The Penance: Stricken with extreme guilt and remorse, John vows never to stand upright again. He lives out a severe penance, crawling on all fours like a beast in the wild and eating grass or roots. [1, 2]
  • The Absolution: Miraculously, the princess and her child are found alive. Upon this discovery, John is released from his penance and his sins are forgiven. [1, 2]
Artistic Representations
In Northern Renaissance art, the subject served as a moralizing reflection on human weakness, lust, and the power of divine redemption:
  • Albrecht Dürer (ca. 1496): An intricate engraving showing a wild, wooded landscape where a small figure of John crawls on all fours in the background, while the foreground features the princess and a child with a stag.
  • Lucas Cranach the Elder: Depicts the wooded wilderness with the hidden motif of the crouching hermit in the background.
  • Giulio Campagnola: An ivory-paper engraving capturing the bizarre narrative arc of the legend. [1, 2, 3, 4]

 

Sebald Beham, engraver of the third illustration, seems like a jolly character 

https://en.wikipedia.org/wiki/Sebald_Beham


In contrast ... here follows the sober history of the holy man ...

https://en.wikipedia.org/wiki/John_Chrysostom



Monday, November 9, 2026

HORACE, again ... having come across him once more in that rather unnattractive Frontispiece by Claude Mellan ... it seemed right to at least try to learn a little about a man who is still fondly remembered, even though he died before Christ was born ... James Michie's translation is free-to-read on the Internet Archive ... and his introduction to the life and CHARACTER of Horace gives a nice perspective on a nice man, and on niceness itself, perhaps.































 











































... and here is Claude Mellan's frontispiece


























... and now to get back to Michie's 1964 translations ... I am not a patient reader ... but I would guess that Horace's audience were PATIENT & CAREFUL LISTENERS

HORACE .... a very short introduction ... I have no wish to study Latin, or Greek, or the endless list of Poets who developed the subtleties and expressive powers of those languages ... but I was intrigued by Claude Mellan's frontispiece for a volume of Horace's works ... which of the nine Muses is acknowledging Horace's naughty wit ? CALLIOPE ? TERPSICHORE ? ERATO ?


 













https://newcriterion.com/dispatch/the-critics-notebook-75/

https://www.pantheonpoets.com/poets/horace/

https://www.poetryintranslation.com/PITBR/Latin/HoraceEpodesAndCarmenSaeculare.php#anchor_Toc98670048

https://archive.org/details/odesofhorace0000hora/mode/1up

https://en.wikipedia.org/wiki/Horace


i asked chatgpt about translations ...

explanatory notes ) of HORACE for a modern reader ?
Worked for 8s

For a modern reader approaching Horace for the pleasure of reading him, rather than as a student of Latin, I would look for a translation that does three things:

  1. Preserves something of Horace's extraordinary conversational intimacy, wit and elegance.

  2. Makes the poetry sound like poetry in English, rather than a Latin text laboriously transferred into another language.

  3. Provides substantial explanatory notes, particularly on Roman history, mythology, literary allusions and the occasional personal references which can otherwise leave the reader rather bewildered.

There is one translator I would put particularly high on your list: David West.

1. David West — my first recommendation

Amazon.com: Odes and Epodes (Loeb Classical Library) (English and Latin Edition): 9780674990371: Horace, Bennett, C. E.: Books

Horace: The Complete Odes and Epodes

Translated with introduction and notes by David West.

Oxford World's Classics, 2008 edition.

ISBN 9780199555277.

I particularly like this choice because West does not treat Horace simply as a detached philosophical observer dispensing wisdom about life.

He pays attention to Horace's changing relationship with Roman society, Augustus, his friends and his own past. This is important: the poetry becomes much more interesting when one understands the political and personal circumstances in which it was written.

The book includes:

  • A substantial introduction.

  • Extensive explanatory notes.

  • A chronological survey.

  • A glossary of names.

It is a very good combination of literary translation and historical scholarship.

Oxford University Press+1

2. Niall Rudd — for greater textual accuracy

Amazon.com: Odes and Epodes (Loeb Classical Library) (English and Latin Edition): 9780674990371: Horace, Bennett, C. E.: Books

Horace: Odes and Epodes

Translated by Niall Rudd.

Loeb Classical Library, Harvard University Press, 2004.

This is a different proposition.

The Latin and English are printed on facing pages. Rudd is a very accomplished classical scholar, and his translation is clear, accurate and restrained.

The explanatory footnotes are particularly useful for mythological and historical references. It is an excellent choice if you might occasionally want to look at the original Latin, even without being able to read it fluently.

uhu.es+1

3. Stephanie McCarter — a more recent alternative

Horace: Epodes, Odes, and Carmen Saeculare (Volume 60) by Stephanie McCarter | Goodreads

Horace: Epodes, Odes, and Carmen Saeculare

Translated and edited by Stephanie McCarter.

University of Oklahoma Press, 2020.

This is an interesting modern scholarly edition. It provides the Latin alongside the English translation, with explanatory footnotes, an extensive introduction and a glossary of literary and rhetorical terminology.

McCarter tries to preserve something of the metrical character of Horace's poetry in English.

classicsforall.org.uk+1

One further point: the rest of Horace

If you intend to read not just the Odes and Epodes but also the Satires and Epistles, I would look for Niall Rudd's translations of those works, published by Penguin Classics. The Oxford academic guide to Horace recommends both Rudd and West as particularly dependable modern translators.

users.ox.ac.uk+1

My verdict

I would buy David West's Oxford World's Classics edition first.

Horace is a poet who rewards leisurely reading. His observations about friendship, ambition, ageing, love, political power, mortality and the pleasures of ordinary life can seem remarkably contemporary.

But he is also a very Roman poet, and understanding the occasional historical allusion makes an enormous difference.

West strikes me as the best starting point for the combination of literary pleasure and explanatory scholarship you are seeking.

I hope you enjoy discovering him. Horace is excellent company.

For exploring Horace, here's one audiobook option.

Thankyou, thankyou, thankyou ... I'll save your excellent answer for future reference.

You are most welcome! And what a pleasure to be discussing Horace.

I suspect you will find him a delightful companion — particularly when he turns his attention to the absurdities of human ambition and the passing of time.

Carpe diem! 😊