we live close to the approach path of heathrow airport ... my work takes me close to the airport at gatwick ... i've become fascinated by the precise control and organization of aircraft movements in the small space between them ... i've only just realized how much air traffic is in motion across the globe ... this website led me there ...
https://www.flightradar24.com/9.08,-0.92/2 ...
it is a seamless real time monitor that you can zoom in to and you can identify individual flights, following their course and progress
there is a long article on air traffic control in wikipedia that deals with the complexities and challenges of the various systems in use around the world, and their integration protocols
https://en.wikipedia.org/wiki/Air_traffic_control
our local air traffic control is under the supervision of NATS and their mapping of the system is an eye-opener for me
http://www.nats-uk.ead-it.com/public/index.php%3Foption=com_content&task=blogcategory&id=93&Itemid=142.html
their mapping and documentation is a model of clarity ... as far as a layman can tell ... for example ...
http://www.ead.eurocontrol.int/eadbasic/pamslight-2A08D280A7AC5FD7E966180857238322/7FE5QZZF3FXUS/EN/Charts/AD/AIRAC/EG_AD_2_EGKK_2-2_en_2017-03-30.pdf
at gatwick it is interesting to see the "double-decker" A380 come and go, and lately i've been reading a blog by a man who sits in the flight deck of one such ... he's just written a short article about airport ground control etiquette and about the larger issue of the future of air traffic control ...
https://a380flightdeck.tumblr.com/post/160981405075/air-traffic-control-system-desperately-needs
... of the seven deadly sins, the eighth and most horrid is emotional blackmail ... whilst for this blogger, the only sacred thing is life itself
Monday, May 29, 2017
Thursday, May 25, 2017
Friday, April 14, 2017
gilbert and george ... i can't explain their appeal ... occasionally i've thought some of their stuff was deeply offensive ... their prurient interest in young men repels me ... but mostly i'm astonished by their stylistic coherence and delighted by their casual belligerence ... and i happen to think that they say what they want much more clearly than my other hero tom denny, which begs the question ... "when will the church commission a design from gilbert and george ?"
https://en.wikipedia.org/wiki/Gilbert_%26_George
http://www.gilbertandgeorge.co.uk/
more images to be added ...
Sunday, March 26, 2017
Sunday, March 5, 2017
the spell by margaret barnard
i was intrigued ... the picture isn't famous ... it is owned by a gallery in rye but was not displayed when i visited ... i hadn't known the stories and the poem and the various mythical belief systems ... but somehow it demanded attention, and interpretation ... there had to be some narrative ... it didn't take too long to discover the outline, but i wish the artist had left us some memoir of its creation ...
margaret barnard had lived in southern italy so the landscape might well be one that she knew ...
you'll have to read the linked articles to begin to understand the picture's content ...
http://www.blackcatpoems.com/t/the_sorceress.html
http://www.theoi.com/Text/TheocritusIdylls1.html
http://www.witchcraftmag.us/ghosts/simaetha-and-her-tradition.html
https://en.wikipedia.org/wiki/Hecate
http://www.theoi.com/Khthonios/Hekate.html
https://www.theguardian.com/books/2016/aug/29/poem-of-the-week-theocritus-villanelle-oscar-wilde
http://holographicarchetypes.weebly.com/hekate.html
https://www.thoughtco.com/review-of-ancient-greek-love-magic-120519
https://www.ryeartgallery.co.uk/collection-artists/109/margaret-helen-barnard
hekate's identity and myth is fairly fluid ... evolving and changing in different mediterranean cultures ... so it isn't easy for me the novice to interpret the picture's details
i need to find an informed interpreter ... maybe marina warner can point the way ...
That which distinguishes Theocritus from all other Poets, both Greek and Latin, and which raises him even above Virgil in his Eclogues, is the inimitable tenderness of his passions, and the natural expression of them in words so becoming of a Pastoral.
margaret barnard had lived in southern italy so the landscape might well be one that she knew ...
you'll have to read the linked articles to begin to understand the picture's content ...
http://www.blackcatpoems.com/t/the_sorceress.html
http://www.theoi.com/Text/TheocritusIdylls1.html
http://www.witchcraftmag.us/ghosts/simaetha-and-her-tradition.html
https://en.wikipedia.org/wiki/Hecate
http://www.theoi.com/Khthonios/Hekate.html
https://www.theguardian.com/books/2016/aug/29/poem-of-the-week-theocritus-villanelle-oscar-wilde
http://holographicarchetypes.weebly.com/hekate.html
https://www.thoughtco.com/review-of-ancient-greek-love-magic-120519
https://www.ryeartgallery.co.uk/collection-artists/109/margaret-helen-barnard
hekate's identity and myth is fairly fluid ... evolving and changing in different mediterranean cultures ... so it isn't easy for me the novice to interpret the picture's details
i need to find an informed interpreter ... maybe marina warner can point the way ...
That which distinguishes Theocritus from all other Poets, both Greek and Latin, and which raises him even above Virgil in his Eclogues, is the inimitable tenderness of his passions, and the natural expression of them in words so becoming of a Pastoral.
- John Dryden, Preface to Sylvae (1685)
Friday, March 3, 2017
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