Saturday, July 4, 2015

just out of storage, after about fifteen ? years ... here's one i knocked off during an idle moment ...






































... it was cobbled together using offcuts of curved skirting boards from a factory in portslade that used to build new pub interiors ... but i abandoned it because i never could make up my mind on the final shape and wording ... the painted order of "verses" is clearly flummoxed, or do i mean bolloxed ? ... and twould be better in this order ...


F  I  R  S  T   W  I  L  L   &   T  E  S  T  A  M  E  N  T

Burn this old body now sweet life has gone,
But wait until the harvest moon comes round
Before you cast my ashes high upon
The weather beaten carpet of the downs.

Dearly beloved of the strong & tender dead,
Whilst seasons’ shadows slide around her sleeping curves,
And captive constellations flame & slowly turn,
Attentive to her enigmatic metronome,

Here, tired of juggling Death & Birth,
& resting from Creation’s Dance,
The Goddess Earth’s stone fingers play
Cat’s Cradle with our nights and days.

Abide with me sometimes among these stones my dears,
If you would understand what used to be my pain.
Lay close to Mother Earth, my loves, that you may hear
The sighing of the grasses for the Wind and Rain.

I am no longer I.
No longer wait in vain
To hear her raucous laugh
And stroke those dancing feet again.


Friday, June 12, 2015

Saturday, May 23, 2015

about agnes martin .... i've painted on grids and will do so again, so i've always had a regard for agnes martin's asceticism without the foggiest idea of where she hoped to lead me ... i think walter de la mare tried to put his finger on my kind of spiritual blindness



















































this next paragraph from the end of olivia laing's article in today's guardian ...


"She wanted to be buried in the garden of the Harwood Museum in Taos, near a room of paintings she had donated, but New Mexico law forbade it, and so in the spring after her death, a group assembled at midnight and scaled the adobe walls with a ladder. It was a full moon, and they dug a hole under the roots of an apricot tree, placing her ashes in a Japanese bowl lined with gold leaf before scattering them in the earth. A beautiful scene, but as Martin knew, “beauty is unattached, it’s inspiration – it’s inspiration”."



http://www.theguardian.com/artanddesign/2015/may/22/agnes-martin-the-artist-mystic-who-disappeared-into-the-desert

http://www.annarieger.com/project/25/agnes-martinmdashpaintings-writings-remembrances/



All but blind
In his chambered hole,
Gropes for worms
The four-clawed mole.

All but blind
In the burning day,
The barn owl
Blunders on her way.

And blind as are
These three to me,
So blind to someone
I must be. 

Thursday, April 30, 2015

shenanigans at the V&A

























the illuminated structure behind the sculpture is a latex mould taken from the internal supporting brickwork for one of the castings from trajan's column


a dancing trumpeter i'd previously failed to notice ... a V&A casting from the interior porch of the cathedral at santiago de compostella