the new emotional blackmailer's handbook

Saturday, June 22, 2024

bouguereau's LOST PLEIAD takes anthropomorphism in cosmology to the extremes of fantasy ... this painting is more about the lady, less about the stars ... but opens up the interesting question of how astrophysics evolved from astrology ... and how the changes in understanding were both absorbed and resisted by artists

according to Wikipedia, the painting's original title was L'Etoile Perdue ... the Lost Star

I would guess the title reflects on the artists compelling fantasy of feminine perfection rather than on any understanding of cosmology or of classical greek mythology ... after all she hardly seems to be lost whilst seeking her sisters

Pleiades (Greek mythology) - Wikipedia

Pleiades - Wikipedia

Star Tales – Taurus 2 (ianridpath.com)

The heliacal rising (/hɪˈlaɪ.əkəl/ hih-LY-ə-kəl)^[1]^[2]^[3] of a star or a planet occurs annually when it first becomes visible above the eastern horizon at dawn just before sunrise (thus becoming "the morning star") after a complete orbit of the Earth around the Sun.^[4]

Historically, the most important such rising is that of Sirius, which was an important feature of the Egyptian calendar and astronomical development.

The rising of the Pleiades heralded the start of the Ancient Greek sailing season, using celestial navigation,^[5] as well as the farming season (attested by Hesiod in his Works and Days).

Helical rising is one of several types of risings and settings, mostly they are grouped into morning and evening risings and settings of objects in the sky. Culmination in the evening and then morning is set apart by half a year, while on the other hand risings and settings in the evenings and the mornings are only at the equator set apart by half a year.

M45 right here, right now at Tenby in Wales at 0437 on June 22nd 2024 ...

The Pleiades, Bernard Sleigh, Russell-Cotes Art Gallery

Moritz von Schwind

Executed in 1855, Die Plejaden is a fully finished study for a tondo for a multi-paneled fresco project for the wall decoration of a music room in homage to Mozart, Beethoven, and Joseph Haydn. The project, which was never realized, was intended to comprise several panels of similar format, each celebrating a piece of music. They included one illustrating Mozart’s Die Zauberflöte, a watercolor study, which is in the Hamburger Kunsthalle and another of Beethoven’s Chorphantasie in c-moll, op. 80, the oil study for which is in the Bayerische Staatsgemäldesammlungen, Neue Pinakothek (Fig. 1). We know from an annotated pencil drawing in the Staatliche Graphische Sammlung in Munich, titled by Schwind Symphonie Nr. 3, that the present representation of the seven Pleiades was destined for a panel dedicated to Beethoven’s eponymous symphony, also known as the Eroica, op. 55.

Etc, etc ...

Inside the Art of Agnes Arellano, Sculptor of the Sacred Feminine | Muse by Clios

Project Pleiades : Agnes Arellano

Max Ernst "goes off on one" ...

Max Ernst (German, 1891-1976)
Approaching Puberty… (The Pleiades)
La puberté proche… (les pléiades)
1921
Collage, gouache, and oil on paper, mounted on cardboard
24.5 x 16.5cm
Private collection
© 2013, ProLitteris, Zurich

The Pleiades, companions of Artemis, were the seven daughters of the titan Atlas and the sea-nymph Pleione born on Mount Cyllene. They are the sisters of Calypso, Hyas, the Hyades, and the Hesperides. The Pleiades were nymphs in the train of Artemis, and together with the seven Hyades were called the Atlantides, Dodonides, or Nysiades, nursemaids and teachers to the infant Bacchus. There is some debate as to the origin of the name Pleiades. Previously, it was accepted the name is derived from the name of their mother, Pleione. However, the name Pleiades may derive from πλεῖν(to sail) because of their importance in delimiting the sailing season in the Mediterranean Sea. (Wikipedia)

For Ernst eroticism was another way of entering the unconscious, of escaping from convention, and possibly of tweaking bourgeois taste. But he was aware that adult sexuality had its limits, as is apparent in the exquisite Approaching Puberty… (1921). A photograph of a nude, faceless girl floats in a blue space stratified by horizontal lines, suggesting water or the sky. A few strangely disparate forms surround the girl, and the short text at the bottom ends, “The gravitation of the undulations does not yet exist.” The title, this line, and the fact that the girl floats in space rather than standing on the ground – as most of Ernst’s figures do – suggests that he sees in pubescence a kind of weightless freedom. In a related but nonsexual image, an Untitled c. 1921 collage, four schoolboys peer out of their classroom (from which a wall is missing) at a vast blue sky in which a hot-air balloon floats. A schoolmaster stands alone and ignored at his desk; next to him one of the boys balances a giant pencil on a pointer. What’s learned in school, Ernst seems to say, is far less important than visions of the sky.

Fred Camper. “Max Ernst’s Theater of Reveries,” on the Chicago Reader website, November 1993 [Online] Cited 12/12/2020

Elihu Vedder's 1885 painting of the Pleiades has been reproduced on metal by ARTSY

According to Greek mythology, the Pleiades were the seven daughters of Atlas and the nymph Pleione. Vedder used the Pleiades as his subject for the first illustration in the "Rubaiyat of Omar Khayyam". The seven female figures represent the horoscope of the astronomer-poet, Omar Khayyam. The two influences of Jupiter and the Pleiades, connected by the pleasure of the vine, are symbolized by the thread that entwines them. The central figure, whose thread is broken, is "the lost Pleiad."

I like the new version better.

Here's a sculpted version ...

https://philamuseum.org/collection/object/42421

myths about the seven sisters persist in the culture of native australians ...

What are the Seven Sisters songlines? | The Box Plymouth

other myths abound ... sometimes the Pleiades are represented symbolically rather than being mapped with any precision ...

Pleiades in folklore and literature - Wikipedia

people have recently learned to generate complex artwork with a new generation of so-called ARTIFICIAL INTELLIGENCE software requiring large capacity processing hardware ... at the present time, the software is having trouble with hands and eyes, but seems pretty smart at re-creating Victorian style ...

Ben Shahn took some lines from The Book of Job, written in Hebrew ... this is a passage where Job expresses some doubts about God, and God says, in so many words ... "WHO ELSE BUT ME CONTROLS THE STARS THE SEASONS AND THE RAIN ?"

JOB is a long and difficult book, subject of many interpretations, understandings and misunderstandings ...

there are many and varying translations ... varying with their historical age ...

Job 38:31–33 ESV - “Can you bind the chains of… | Biblia

the King James Version isn't helpful for 21st Century newcomers to the text ...

Essentially, in Chapter 38 God speaks to Job from a whirlwind, reminding Job and us that he is the God of all nature's forces ...

God Challenges Job

1Then the LORD answered Job out of the whirlwind, and said,

2Who is this that darkeneth counsel by words without knowledge?

3Gird up now thy loins like a man; for I will demand of thee, and answer thou me.

4Where wast thou when I laid the foundations of the earth? declare, if thou hast understanding.

5Who hath laid the measures thereof, if thou knowest? or who hath stretched the line upon it?

6Whereupon are the foundations thereof fastened? or who laid the corner stone thereof;

7When the morning stars sang together, and all the sons of God shouted for joy?

8Or who shut up the sea with doors, when it brake forth, as if it had issued out of the womb?

9When I made the cloud the garment thereof, and thick darkness a swaddling band for it,

10And brake up for it my decreed place, and set bars and doors,

11And said, Hitherto shalt thou come, but no further: and here shall thy proud waves be stayed?

12Hast thou commanded the morning since thy days; and caused the dayspring to know his place;

13That it might take hold of the ends of the earth, that the wicked might be shaken out of it?

14It is turned as clay to the seal; and they stand as a garment.

15And from the wicked their light is withholden, and the high arm shall be broken.

16Hast thou entered into the springs of the sea? or hast thou walked in the search of the depth?

17Have the gates of death been opened unto thee? or hast thou seen the doors of the shadow of death?

18Hast thou perceived the breadth of the earth? declare if thou knowest it all.

19Where is the way where light dwelleth? and as for darkness, where is the place thereof,

20That thou shouldest take it to the bound thereof, and that thou shouldest know the paths to the house thereof?

21Knowest thou it, because thou wast then born? or because the number of thy days is great?

22Hast thou entered into the treasures of the snow? or hast thou seen the treasures of the hail,

23Which I have reserved against the time of trouble, against the day of battle and war?

24By what way is the light parted, which scattereth the east wind upon the earth?

25Who hath divided a watercourse for the overflowing of waters, or a way for the lightning of thunder;

26To cause it to rain on the earth, where no man is; on the wilderness, wherein there is no man;

27To satisfy the desolate and waste ground; and to cause the bud of the tender herb to spring forth?

28Hath the rain a father? or who hath begotten the drops of dew?

29Out of whose womb came the ice? and the hoary frost of heaven, who hath gendered it?

30The waters are hid as with a stone, and the face of the deep is frozen.

31Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion?

32Canst thou bring forth Mazzaroth in his season? or canst thou guide Arcturus with his sons?

33Knowest thou the ordinances of heaven? canst thou set the dominion thereof in the earth?

34Canst thou lift up thy voice to the clouds, that abundance of waters may cover thee?

35Canst thou send lightnings, that they may go, and say unto thee, Here we are?

36Who hath put wisdom in the inward parts? or who hath given understanding to the heart?

37Who can number the clouds in wisdom? or who can stay the bottles of heaven,

38When the dust groweth into hardness, and the clods cleave fast together?

39Wilt thou hunt the prey for the lion? or fill the appetite of the young lions,

40When they couch in their dens, and abide in the covert to lie in wait?

41Who provideth for the raven his food? when his young ones cry unto God, they wander for lack of meat.

The Pleiades are fairly easy to find in the 1822 Whittaker's Celestial Atlas ...

As astronomers discover more and more stars and map them more accurately ... so it becomes harder to make sense of the old constellations' identities ...

A sky map of the Hubble Space Telescope's observations | Visual Cinnamon

Messier 45: Pleiades | Messier Objects (messier-objects.com)

to be continued intermittently ...

Friday, June 21, 2024

the old become blind to change sez me ... because we often think that everything we learned in our twenties may have been sufficient ... darwin teaches us that those who survive are often those who can best adapt to change ... i thought i understood quite a lot about colour but i knew nothing about colour coding for screen displays ...

i had been puzzling for years over the way that myself and other people have different notions or understandings of the colours we call PURPLE

bluebells look purple to me, so do violets, so does lavender ... each in their different ways

some time ago i had settled on the vague notion that the purples occupy a borderless territory BETWEEN THE REDS AND THE BLUES

my own understanding was that purple is akin to VIOLET

but others might visualize a hue closer to MAGENTA

how is that borderless territory MAPPED ?

it turns out that the knowledge i lack has been in plain view for half a century, or more !

i set out to search for a web designer's colour-swatch ...

i quickly got a reminder that screen colours are never universally consistent ... much depends on the chemistry of your display pixels

and the notions of actually defining colours are inhibited by the mode of control ... 8-bit or 16-bit for instance

https://en.wikipedia.org/wiki/Web_colors

Color Chart — HTML Color Codes

Color Picker — HTML Color Codes

and then there is the difference between display colours and real-world colours ... coloured objects and substances in the real world have texture and density

nevertheless, it is helpful to understand how screen colours are controlled and generated

the crux of the matter comes down to COLOUR SPACE

COLOUR SPACE seems to be the portion of visible colours that a particular system can define and project and control ... the problem is there are many systems and they all occupy their slightly different and unique portions of the available colour map

the second part of that problem is that many internet processors automatically streamline and reduce that colour space during transmission

here's a lucid explanation ...

sRGB or AdobeRGB Color Space? | Ask David Bergman (youtube.com)

Tuesday, June 18, 2024

I have a question about Bob Dylan’s song LIKE A ROLLING STONE

LIKE A ROLLING STONE is a memorable song with a lot of drive, but what about those lyrics ?

Once upon a time you dressed so fine

Threw the bums a dime in your prime, didn't you ?

People’d call say “Beware doll, you're bound to fall”

You thought they were all kidding you.

You used to laugh about

Everybody that was hanging out,

Now you don't talk so loud,

Now you don't seem so proud,

About having to be scrounging your next meal …

How does it feel, how does it feel?

To be without a home

Like a complete unknown, like a rolling stone ?

Ahh you've gone to the finest school, alright Miss Lonely
But you know you only used to get juiced in it.
Nobody's ever taught you how to live out on the street
And now you're gonna have to get used to it.
You say you never compromise
With the mystery tramp, but now you realize
He's not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?

How does it feel, how does it feel?
To be on your own, with no direction home,
A complete unknown, like a rolling stone ?

Ah you never turned around to see the frowns
On the jugglers and the clowns when they all did tricks for you.
You never understood that it ain't no good
You shouldn't let other people get your kicks for you.
You used to ride on a chrome horse with your diplomat
Who carried on his shoulder a Siamese cat,
Ain't it hard when you discovered that
He really wasn't where it's at
After he took from you everything he could steal ?

How does it feel, how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone ?

Aah, princess on a steeple and all the pretty people
They're all drinking, thinking that they've got it made
Exchanging all precious gifts
But you better take your diamond ring, you’d better pawn it babe.
You used to be so amused
At Napoleon in rags and the language that he used
Go to him he calls you, you can't refuse
When you ain't got nothing, you got nothing to lose,
You're invisible now, you've got no secrets to conceal.

How does it feel, ah how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone ?

My question is long and poorly structured because it lurked in the back of my mind and festered for about fifty years without me ever wanting to write it down.

People of my age will quite possibly have heard the song hundreds of times. It certainly was novel when we first heard it. So clever. Witty. Articulate. Coherent. PENETRATING.

But it was part of a long line of Dylan’s songs about women that were bitter and complaining, in which his rhetoric seems whiney and self-pitying and borderline misogynistic. Too often, after losing his youthful sense of fun, he seemed to become cynical, as if cynicism was an art rather than a vice. Too often, it slowly dawned on me, he thought he was right about everything, and that the women he sang about were shallow and uncaring. Of course, many women were just so, but as they say down in Buenos Aires, “It takes two to tango.”

Of course, song-writers, like dramatists and novelists, don’t always write about themselves and the singer of the song might be a fictional third-party.

So now we come to my question, which is for the women of my age that have survived …

Did you ever come to a point where this song suddenly became suspect, possibly tiresome, and did it make you question all of the thoughts and the principles of the men who loved it and knew its words by heart ?

That’s all.

Sunday, June 16, 2024

a NYMPHS & SHEPHERDS ScrapBook ... beginning with PICART ...

... to be continued ...

Wednesday, June 5, 2024

Albert DECARIS ... engraver and etcher.

I'm intrigued and often perplexed by this artist's works.

He was famous in his lifetime.

He seems to be largely forgotten already.

He has a deep knowledge of classical myths and legends.

This is my favourite.

The title given on the internet is ANIMATED RURAL LANDSCAPE ... well, that might be a cataloguer's functional description but I doubt Decaris would have given it such a title.

The only decent internet image was presented slightly askew and the bottom left corner had been cropped.

The print was made towards the end of the Second World War when there were battles all around and the Whole World was filled with TERROR, and so I wonder if it isn't ( possibly / maybe ) some kind of allegory of PEACE ?

Am gonna have to do more research.

here are some links to his background ...

Albert Decaris - Wikipedia

Albert Decaris | Sacred Art Pilgrim Collection: Artists | Sacred Art Pilgrim

there is a huge kind of catalogue written by his daughter which is available to purchase online ...

Isabel Boussard-Decaris, Jean-Marc Boussard : Decaris le singulier, Éditions de la Nerthe, Ollioules (France), 2005

Monday, June 3, 2024

Concert of the Birds ... Language of the Birds ... and Parliament of the Birds

Antwerp, 1629-ish

Concert of Birds - The Collection - Museo Nacional del Prado (museodelprado.es)

"This subject actually antedates the baroque custom of aviaries; it began in the Middle Ages and Snyders was not the first to explore it in paintings, as there were numerous representations of Aeolus with the Birds in the final years of the 16th century. Northern European collectors used these works as decorations above doors or windows, or in front of fireplaces, and the fashion later spread to Spain. Their symbolic significance is linked to representations of Franciscan birds associated with the worship of the Virgin Mary as Our Lady of the Birds, which began in 13th century. Legend has it that birds flocked to a beech grove outside Brussels, drawn by an image of the Virgin resting among the tree branches. As a result, that city, which is the capital of Flanders, had a Franciscan chapel with this avocation. It was destroyed by the Iconoclasts in the 16th century but rebuilt at the end of that same century, with birdcages hanging from the ceiling so that their inhabitants could contribute to the temple’s particular liturgy with their song. This affinity has often been mentioned in relation the Snyders’ desire to be buried in a Franciscan habit. The Concerts of Birds have also been considered allusions to the sense of hearing, although that interpretation is unclear. Other readings allude to the possibility that they represent wisdom via the owl ... in Western painting, owls frequently symbolize that concept ... who sometimes seems to be directing those bucolic concerts. Moreover, these concerts of birds symbolically refer to concerted order in nature, a sense of balance with nature embodied by the musical systematization of birdsong. Thus, in general, their meaning involves the political and social order enjoyed by the owners of these paintings under the rule of Archduke Albert of Austria and Isabel Clara Eugenia."

Written in Nishapur around 1177

Illuminations probably from Isfahan, 1600-ish

https://www.metmuseum.org/art/collection/search/451725

The Conference of the Birds - Wikipedia

The hoopoe tells the birds that they have to cross seven valleys in order to reach the abode of Simorgh. These valleys are as follows:^[3]

1. Valley of the Quest, where the Wayfarer begins by casting aside all dogma, belief, and unbelief.

2. Valley of Love, where reason is abandoned for the sake of love.

3. Valley of Knowledge, where worldly knowledge becomes utterly useless.

4. Valley of Detachment, where all desires and attachments to the world are given up. Here, what is assumed to be “reality” vanishes.

5. Valley of Unity, where the Wayfarer realizes that everything is connected and that the Beloved is beyond everything, including harmony, multiplicity, and eternity.

6. Valley of Wonderment, where, entranced by the beauty of the Beloved, the Wayfarer becomes perplexed and, steeped in awe, finds that he has never known or understood anything.

7. Valley of Poverty and Annihilation, where the self disappears into the universe and the Wayfarer becomes timeless, existing in both the past and the future.

Written in England, 1382-ish

Chaucer wrote an allegorical PARLEMENT OF FOULES exploring the topic of free will.

Parlement of Foules - Wikipedia

https://www.poetryintranslation.com/PITBR/English/Fowls.php

the full Kelmscott Chaucer can be viewed online ...

Full Pages | Kelmscott Chaucer (kelmscottchauceronline.org)

ADDENDUM ... a Japanese folding screen, late 1500s

https://collections.artsmia.org/art/34414/crows-and-cryptomeria-unknown-japanese

A crow's cry is considered an ill omen in China and Japan, yet crows became a standard theme among Japanese artists from the 1500s onward. They may have been inspired by imported Chinese paintings of myna birds, which are not native to Japan, substituting the native species of crow instead. Painters of folding screens (which usually come in pairs) often paired a scene of raucous black crows with a quiet image of white egrets—the contrast heightened by the birds' coloration. Artists of the Hasegawa school, which originated with the celebrated painter Hasegawa Tōhaku (1539–1610), specialized in the impressionistic handling of ink brushwork seen here in the sketchily rendered branches.

Assisi, painted around 1297

Saint Francis of Assisi is said to have preached a sermon to the birds, the essence of which was ...

"My sweet little sisters, birds of the sky," Francis said, "you are bound to heaven, to God, your Creator. In every beat of your wings and every note of your songs, praise him. He has given you the greatest of gifts, the freedom of the air. You neither sow, nor reap, yet God provides for you the most delicious food, rivers, and lakes to quench your thirst, mountains, and valleys for your home, tall trees to build your nests, and the most beautiful clothing: a change of feathers with every season. You and your kind were preserved in Noah's Ark. Clearly, our Creator loves you dearly, since he gives you gifts so abundantly. So please beware, my little sisters, of the sin of ingratitude, and always sing praise to God."