let's dance ...

but who shall we invite to play the piano ?

3BT

overcome by fatigue, i pull the truck off the motorway at cobham and park next to the newly landscaped west pond, home to a thousand bullrushes, and lay me down to sleep on the greensward, waking after thirty minutes to watch a dragonfly flying backwards and glistening

at a bus stop on putney hill, a plane tree has put up hundreds of new vertical shoots and foliage fifty feet above the traffic

and whilst i marvel, and while the bus fails to come up, a stream of confident and rarther posh looking girls emerge from the high school at random intervals, moving briskly to the bus stop and gathering around me ...  smart clothes, nice hair, new hips and thighs ... and they bring with them an invigorating and timely breath of fresh   joie de vivre

night must fall ...

alvi brown kazoos debussy

https://www.youtube.com/watch?v=YEyKM13yf_4

sweet thames, run softly 'til i end my song

insomniacs' reading material ...

i've been chortling a lot in the wee small hours

i share my father's crude tastes in literature and the visual arts, hard-wired in to my DNA

he recommended schweik when i was very young

but he can't have had the pleasure of reading cecil parrot's definitive 1973 translation

of course, before you read hasek's satire/comical digression, you'll need to set aside all of your sober attitudes, based on having read robert graves and/or siegfried sassoon, edward thomas and/or wilfred owen

maybe hasek's closest connections in british literary culture might be laurence sterne and/or spike milligan

what do you think ?

2013 gyama valley mine disaster ... i've been looking at satellite images of the area made for google earth since the disaster two years ago ... there's a toolbar app that enables you to compare earlier images ... they've put in a new dam and a filter bed .... further downstream, there's a brand new village and the old one has been abandoned

1. the landslip went from left to right ...

2. the mine company have recently dammed the valley at the toe end of the landslip and it looks as if they're using a new filter bed and a tailing pond to either/and/or collect salvageable mineral assets, and/or protect the river from further pollution, which was already dreadful

3. at the bottom of the valley, the small village at the confluence seems to have been deserted, and a new settlement has appeared ... but i don't know if it's for the local people or the chinese miners

a hostile account of the disaster's causes has been published which includes interesting but unsurprising theories about the tax status of the company's chinese investors

http://www.tibetnature.net/en/assessment-report-of-the-recent-landslide-event-in-the-gyama-valley/

http://www.rfa.org/english/news/tibet/polluted-08052015161804.html

come back soon !

a relict of poole's myriorama ... from the on-line archive of exeter university

https://ore.exeter.ac.uk/repository/handle/10472/184

my mother's later life was clouded with illness and pain ... but she wrote an endless stream of cheery letters whilst she neglected her diary, mostly

cupboard space and dust drapes

3BT ... in one minute !

I am driving the truck towards the De Vere Hotel at Betchworth, approached through narrow leafy lanes at first, and then on a winding road that leads to the old house along a low ridge.  There are some fine old trees here and there, and well mown lawns fall away on either side.

ONE. A crab apple tree, well rounded, maybe twelve feet high, festooned with fruit that are pale yellow with rosy pink cheeks.  As the truck appears, so there emerge about a dozen emerald green parakeets who break away in an explosion of startling and scintillating action.

TWO. A small lime tree, maybe twenty feet high, its branches stooping low, heavily speckled with pale winged fruit.  Beneath it , four rosy ruddy jays who quickly fly up in a little spiral around the tree trunk and disappear in to its crown.

THREE. Across and along the curved horizon of the lawn, which is very bright green against darker distant trees, comes a green woodpecker in its fast flight of short bursts and swoops, stopping suddenly to march about rarther pompously and poke his beak deep down in search of whatever.

The last Bank Holiday before Christmas ...

its four-thirty ... i've been up for more than three hours, woken by thirst and by the stiffness that creeps in to and cramps my lower back when i lay still for too long. Hoping to induce further sleep, i made a sandwich and a mug of cocoa fortified with spanish brandy ... Torres Diez.  No luck, and so i cast my gaze over the sitting room bookshelf wondering if i might discover comfort in some ancient favourite.  But my eye and my heart cannot agree and the shelf-scanning takes on a kind of anxiety and urgency until an expressionless little grey face looks right through me from the spine of a book which had somehow hidden itself in plain view at the very far end of a shelf.  I recognized a book I'd found in the Reigate Oxfam; the fading receipt was still pressed inside the cover, 29th November, 2013, £1.50, Austerlitz by W. G. Sebald.  A forbidding cover, a sober sounding name, the author a dead German who had worked in England.  Yet countless living writers have praised him whilst i've been avoiding our first meeting, fearful of a debilitating encounter with pain and misery.  Rightly !  But beyond that, he illuminates and affirms the principle that "knowing" and "understanding" are all we have to buttress and support the assailable fortress of the "soul".  Now why would i give such a four letter word the respectability of becoming a Noun as well as an abstraction ? The Soul ? Souls can only exist in my imagination, and yours, innit ?  But if we have to honour the notion of souls, how much time can we afford to waste in contemplation and speculation about their substance, their improbability ? Whoa ! Here come the armies of dead writers whose only legacy is an array of fictional souls, seen through the wobbly prism of the printed alphabet and the empty spaces between their words and sentences in which we hang our own imaginings like so much laundry, etc, etc. But i digress ! ...

daniel dennett's royal institution talk begins with this tree diagram ...

https://www.youtube.com/watch?v=AZX6awZq5Z0

joseph cornell at the Royal Academy ...

https://www.royalacademy.org.uk/exhibition/joseph-cornell

i loved it

if you do get a chance to see it, be sure to take your most powerful reading glasses

then you can get as up close and personal with the material as the artist must have been

other people's aesthetics .... i find myself gobsmacked pretty often by the sophistication of objects whose meaning is hidden from me .... here are some mayan heiroglyphics

https://decipherment.wordpress.com/2015/03/16/the-nomenclature-of-la-corona-sculpture/

its part of what was once a heiroglyphic stairway in guatemala, sadly looted and dispersed

http://www.mesoweb.com/LaCorona/LaCoronaNotes03.pdf

https://decipherment.wordpress.com/2015/07/17/preliminary-notes-on-two-recently-discovered-inscriptions-from-la-corona-guatemala/

just came across this artist ... samuel bak

https://en.wikipedia.org/wiki/Samuel_Bak