Wednesday, August 21, 2019

graham sutherland illustrating frances quarles ... an original 1943 lithograph sold in tenby museum this week ... turns out to be a late manifestation of a long-lived publishing format










So have I seen a well-built castle, stand 
Upon the tip-toes of a lofty hill, 
Whose active power commands both sea & land, 
And curbs the pride of the bleag’rers’ will; 
At length her ag’d foundation fails her trust, 
And lays her tott’ring ruins in the dust. 

So have I seen the BLAZING TAPER shoot 

Her golden head into the feeble air; 
Whose shadow guilding ray, spread round about, 
Makes the foul face of blade brow’d darkness fair; 
Till at the length her waisting glory fades, 
And leaves the night to her invet’rate shades 



Hieroglyphics of the Life of Man published in 1637, was the sequel to Francis Quarles' best-selling Emblems (1635) which was lavishly illustrated, containing five books of meditative verse. The poems are introduced by a scriptural motto, then a commentary based on quotations from various sources, and at the end closure is achieved with a short didactic epigram. To Francis Quarles, an emblem is but a short parable and the verse puts the visual into the mental. In this way, the words and pictures complement each other, therefore having a double impact on the reader.


































Sutherland's litho was from a set of three ... they are the first three images in this set ...
http://www.williamweston.co.uk/item/artist_previous/233/1


there still exists an imprint of all three Sutherland designs on one sheet ...

https://www.gazette-drouot.com/lots/10311506



later ... it seems that "emblem books" were a popular renaissance publishing format ...
https://www.jstor.org/stable/26402658?seq=1#metadata_info_tab_contents


https://en.wikipedia.org/wiki/Emblem_book



Ah-ha ! After MUCH GOOGLE-ING ... Here's some proper scholarship relating to the printing of the Emblems ...  by Whitney Trettien 

"It is the argument of this chapter and this monograph more broadly that the creativity and cultural work of books like Theophila become legible when we read them not as texts but as multidimensional media objects designed with meaning and purpose."

https://manifold.umn.edu/read/untitled-a5533014-27c2-48fd-a0fb-498976cbe4da/section/653a6a70-f1f6-41ea-839e-917db4a2fc56



david inshaw ... larger images of his paintings find their way on to the internet now and then ... these are from all periods and they are in no particular order























































































































































































































































































Monday, August 19, 2019

crows and ravens and jackdaws and magpies in art


























peter de seve






















bruegel the elder




























william heath robinson





























c. f. tunnicliffe





























arthur rackham






























audubon






























rudi hurzlmeier





























david inshaw